Justin Slayer
Music is something I use to set a cooler atmosphere, to texturize the movie a bit. I like having the music during the tease, but it needs to cut out before the blowjob, cause I want to see the girl a little bit by herself without music before she starts to fuck.

My cousin has been making a bunch of the beats for us. He was a rapper forever. We were doing music before we got into porn.

When I’ve got Phatty’s, we want to hear the big bass music like in the booty shake clubs in Atlanta. Uncle Luke really started it with music that went hand in hand with big butts and strip joints. It was way before Lil’ John.

We want to compliment the kind of sex and the kind of girl that we’re shooting. Like in Black Pipe Layers, we use anthem-type songs with big beats to add to the excitement.

Jonni Darkko
I’ve made all the music for movies since my days starting at New Sensations. I’ve had Sha-boom records and a friend of mine help me out with two movies, but everything else, I love taking control of it and shaping it how I want it.

In Slut Collector (coming in October 2006), every track is custom made for the scene it goes with. It’s more industrial, very Nine Inch Nails.

I hate traditional porn music. I used to turn the audio off when I’d watch porn, because the music was just so annoying.

I want to make the music palatable, interesting, something that adds to the movie. I want it to be palatable. I also like doing interesting new things. I sample a lot of the girls’ voices, having them say stuff like “Fuck me. Cum on my Ass”.

I like using the music for the tease and the intro, and then I drop it down, because I think during the scene it would be too obtrusive and distracting. I edit the tease part scenes to the music, so it looks like they go together, not like I edited a tease and then tried to find some music to lay over it.